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Showing posts with label Kristen Bell. Show all posts
Showing posts with label Kristen Bell. Show all posts

Friday, 11 January 2013

House of Lies Review: Can you find truth in the House of Lies?


Big business is a boogeyman in today's world. When the subject of corporations and wealth come up, things often turn to talking about lies, greed an grabbing power. So it's no surprise that these ideas are front and center in House of Lies. But where a lot of shows would explore the consequences of a life built on lies and deception, this show attempts to see the benefits. In a world of full of liars, the best liar is the one who succeeds. Enter Marty Kahn, played by the great Don Cheadle, a management consultant who is second to none at the game they play. He can sell anything to anyone on a bad day. On a good day he can talk them out of house and home and make them think it was their idea.

It's often said that with any new business or industry that there are bound to be spinoff industries looking to take advantage of the relatively uncertainty that comes along with establishing it. With the multi-million or billion dollar conglomerate it seems, management consultancy is that spinoff. A business built upon coming in and telling a massive organization how to be more efficient at high costs. And there in lies the fun of the show. Marty Kahn and his team of consultants are masters of manipulating businesses.

You might say that it is one of the best examples of shows which fight back for the anger and resentment towards corporate greed and power. In the same way that Arrow and other shows in recent years have been like rallying calls reflecting society's perspective, House of Lies shows that even within the system itself there are people who look for ways to screw the big boys out of their money.

Adding to this modern story is the phenominal talent of the previously mentioned Don Cheadle, the fantastic Kristen Bell as Jeannie Van Der Hooven, the incredible Dawn Olivieri as Marty's psychotic ex wife Monica Talbot ultimately rounded out by what can only be described as the comedy duo of Ben Schwartz and Josh Lawson as Clyde Oberholt and Doug Guggenheim. They are today's unsung heroes, the wish-fulfillment of the audience in a world where things just don't tend to go their way. And it's a joy to watch them work. Set from the personal perspective of Marty Kahn as he struggles to balance work, home and his relationships we still never lose sight of the lives of the people around him and their own struggles.

Can you find truth in the House of Lies? Absolutely, especially when a lot of those lies also happen to be the truth. If you haven't seen this show, then you're lying to yourself if you say you don't need to.


Monday, 10 September 2012

Can "Writers" write from anywhere but the heart?


I have been a long time believer in the idea that a writer that is worth the words they write does so from a place of passion. A place where they care about the material they are creating and the ideas they are talking about through it. But is that actually true? Do you actually have to write with your heart and soul or do you simply get better at it if you do it often enough? Not long ago I watched a speech given by acclaimed TV writer Matt Nix, creator of such TV shows as Burn Notice. In it he looked at the idea of art and how he went about it. He spoke of some of the most common advice that any writer gets when he or she starts out. Primarily, that you should write what you know. Some of the most fundamental things about ourselves that we know is how we feel, how we think and how we act, even if we can’t quite articulate all those things in the moment itself. But is that the same as writing what you know?
Are writing what you know and writing from the heart the same thing? Is it possible to do one or the other, or do we do both at the same time? Watching the new film Writers from Josh Boone, I had to ask myself that question. The film is based on the personal experience of the writer/director himself and I think it really shows in the story being told. Starring Greg Kinnear and Jennifer Connelly as well as younger actors like Lily Collins and Nat Wolff, it’s the story of a family of writers struggling to express themselves to each other after the parents of the family get divorced and the mother has remarried. Thankfully, each of them has writing as a way of coping with their lives. Three of them have taken to writing to express themselves in some way, perhaps not to each other or about each other directly, but to someone.
Each of them writes about the experience of their lives and the way in which it has shaped them and their ideas about the world. To quote from the film, “Writers are the sum of their experiences, go have some”. When a person writes however, they often aren’t talking about the situations themselves. Personal experiences can be used in and modified to fit for a story, but there is usually a deeper truth in the experiences that is at the core of the story being told. Sometimes the meaning is that there is no meaning, but by and large a combination of such experiences overall is about life or love or culture. Rarely is it the case that these ideas aren’t somewhere in the script or book or film.
This film is very much about coming to terms with those experiences, which is what most writers do through their work. A lot of films focus on the ultra dramatic moments in life. The moments in which someone finds out their spouse has been cheating on them, or the moment two people meet and fall in love. “Writers” is very much about the moments in between such events. It’s about that second when you realize “Oh wait, that’s what I learned from that mistake” or “Now I realize that this is how I dealt with it and moved on”. And aren’t those the moments in which you truly understand what was going on with that experience? Those are the times when you feel comfortable enough to write down what it is that happened and how you feel about it now. That’s the point where what you know and what you feel meet, and I think that’s what “Writers” is in fact about.
Can writers write from anywhere but the heart? I think they can, but the heart always has to enter into it somewhere, and watching a film like “Writers” is one of the best ways to explore that about yourself.