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Showing posts with label Don Cheadle. Show all posts
Showing posts with label Don Cheadle. Show all posts
Friday, 11 January 2013
House of Lies Review: Can you find truth in the House of Lies?
Big business is a boogeyman in today's world. When the subject of corporations and wealth come up, things often turn to talking about lies, greed an grabbing power. So it's no surprise that these ideas are front and center in House of Lies. But where a lot of shows would explore the consequences of a life built on lies and deception, this show attempts to see the benefits. In a world of full of liars, the best liar is the one who succeeds. Enter Marty Kahn, played by the great Don Cheadle, a management consultant who is second to none at the game they play. He can sell anything to anyone on a bad day. On a good day he can talk them out of house and home and make them think it was their idea.
It's often said that with any new business or industry that there are bound to be spinoff industries looking to take advantage of the relatively uncertainty that comes along with establishing it. With the multi-million or billion dollar conglomerate it seems, management consultancy is that spinoff. A business built upon coming in and telling a massive organization how to be more efficient at high costs. And there in lies the fun of the show. Marty Kahn and his team of consultants are masters of manipulating businesses.
You might say that it is one of the best examples of shows which fight back for the anger and resentment towards corporate greed and power. In the same way that Arrow and other shows in recent years have been like rallying calls reflecting society's perspective, House of Lies shows that even within the system itself there are people who look for ways to screw the big boys out of their money.
Adding to this modern story is the phenominal talent of the previously mentioned Don Cheadle, the fantastic Kristen Bell as Jeannie Van Der Hooven, the incredible Dawn Olivieri as Marty's psychotic ex wife Monica Talbot ultimately rounded out by what can only be described as the comedy duo of Ben Schwartz and Josh Lawson as Clyde Oberholt and Doug Guggenheim. They are today's unsung heroes, the wish-fulfillment of the audience in a world where things just don't tend to go their way. And it's a joy to watch them work. Set from the personal perspective of Marty Kahn as he struggles to balance work, home and his relationships we still never lose sight of the lives of the people around him and their own struggles.
Can you find truth in the House of Lies? Absolutely, especially when a lot of those lies also happen to be the truth. If you haven't seen this show, then you're lying to yourself if you say you don't need to.
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Thursday, 20 December 2012
The Family Man Review: Where does The Family Man fit?
Why? Because it's a great Christmas movie. Much like Scrooged and A Muppet's Christmas Carol which are also in the special Christmas group, it follows in the tradition of the Charles Dickens' classic of a man who seems to have everything and is given a glimpse at what he doesn't. But what sets this film apart and why it's on my list of once a year Christmas movies is that there is an element of It's A Wonderful Life to the film as well, brought to you by the semi-angelic character of Cash played by Don Cheadle. A simple act of kindness from Wall Street mogul Jack Campbell gives him the chance at a glimpse into what life would have been like if he had made different choices.
And so he's thrust into a world he doesn't understand and a life he doesn't want, forced to figure out a life he doesn't really understand, he slowly starts to wonder if everything that's good in life can really be solved with money. Tea Leoni also stars as the one that got away turned wife and mother and proves why it's a shame that she isn't given the chance to really shine more often. Much like Meg Ryan she's been less visible in recent years. She makes being a wife and mother seem both realistic and sexy, something that's traditionally very hard to do in an industry that caters to the young and available.
Where does The Family Man fit? For a film released in the year 2000, I think it should make its way into the classics like the films it appears to be based on.
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