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Showing posts with label Film Annex. Show all posts
Showing posts with label Film Annex. Show all posts

Friday, 12 April 2013

Playground Review


There is an art to misdirection in film. It has been done on numerous occasions and with varying amounts of success in this film genre. M Night Shyamalan is one of the best examples of both the way to do it and the way not to depending on which of his movies you look into. Films like Unbreakable and The Sixth Sense do it very well, whereas films like Signs don’t necessary do it very well, or the misdirection doesn’t lead to a satisfying conclusion for many of the audience members. I know I had issues with it and many other people I know were not happy with it.

When it is done properly, it is really great, but when it is not done properly, it can sometimes ruin what up until the end can be a great film. Thankfully, Playground is on the side of misdirection done properly. The main character plays upon a lot of the ideas we have about people. As we go along in this film, we make certain assumptions about who he is and the way he live his life. His back story makes you think he is not the best person in the world. That he may be involved in some kind of criminal activity and is getting away with it. Enter the co-star, a young woman who again plays upon how we think about the realities of a young woman that is out at night. With these types of genre, most people have come to expect a twist of some kind. Film entertainment consumers have seen enough movies to know on some level that something is coming. But the mark of a good filmmaker today is in the ability of the filmmaker to keep the audience engaged in the story being told in the moment instead of waiting for the twist.

For Playground, I believe that the filmmaker Mark Kuczewski managed to do that. It is a very well written and shot film with an understanding of the material that it is trying to portray, I look forward to seeing more from them.

Check it out below or more from a lot of filmmakers at Film Annex.


Monday, 8 April 2013

The Garden of Fetish Review


Art is a strange subject these days. People have this idea of the art world and what it should be. However no one seems to have the same idea of what that is. The concept of art, as most people will tell you can be a very subjective thing. What is good for some people is bad art to another. Many people take that to mean that whatever you create with the intention of making art is by extension, itself art. There is a lot of validity in making such an argument. Some of the best art out there today was at one time seen to be strange and disturbing is praised in today’s art scene as classic.

But filmmaking is a different animal, art for the sake of making art, which is an idea held by many filmmakers today, is not necessarily the best approach because not everyone gets art for the sake of art. Many people are put off by it at first and that can be a troubling thing. You can’t wait for an audience to take the time to grow with you and appreciate your art over time in the way that a painting can be seen multiple times and appreciated more over time.

Film is an instant gratification medium in a lot of ways. You have to grab your audience emotionally in the first few minutes or you will lose them for the rest. In short films this is an even shorter period and on the web where most film is going you have seconds because of the volume of content that is out there. So art for the sake of art has trouble attracting an audience if not giving something for the audience to latch onto immediately. The Garden of Fetish attempts to be a commentary on this type of art.

Much like a lot of film entertainment today, it attempts to buck the trend of online film and storytelling by being art for the sake of art. There are definitely a lot of symbolic elements to the story that is attempting to be woven into the film that plays to that but I worry that this type of film does not give an audience what they are looking for emotionally to keep them entertained long term in today’s online entertainment driven culture. It’s a nice little film about the state of the art world today, but I am not entirely sure the filmmaker understands the art world today to speak about it that way.

Still, it is an interesting film and you should check it out if you have a chance. You can also check out more on Film Annex.


Thursday, 4 April 2013

Attack of the Giant Vegetable Monsters Review


The thing about the horror films of today is that it preys upon certain basic ideas we have about humanity. When you watch a horror film, particularly a scary horror film (because there are some that are not), you have to remember that what you are seeing is a reflection of us, the kinds of fears that we live with today on a daily basis. However, classic horror films tend to be about something else. They tend to be a reflection of a fear that we used to have once upon a time. A time long since passed even though there are many who lived in that time. Making movies today of those types of genre requires an understanding of that concept and the ability to carry it out. A parody can sometimes go either way. The idea can be to reflect a current fear and do it in classic horror film style to evoke the nostalgia for that era, or it can be an attempt to do the opposite and use current horror film style with a classic fear to make fun of it. Either can be pretty effective if done well.

In the case of Attack of the Giant Vegetable Monsters, I am not entirely sure which they were going for. I am not even entirely sure what it is that the fear is trying to evoke. But in classic parody format they clearly understand the film genre they are making fun of. They understand the monster movie and they understand the kind of film genre that exists out there, and often times in a parody that can be more important than anything else. Because of that, I really liked the film in question. I thought it was one of the more entertaining movies that I have seen on the site and it had some great elements.

The animation was very simple but that goes with the setting and the era they are trying to invoke. Plus the little twist at the end, which I can say I was not really expecting definitely had me liking it even more. I say check it out below or find more on Film Annex.


Monday, 25 March 2013

The Arctic Circle Review


Desire is a fundamental part of any filmmakers’ journey. Many would say that if you do not have a burning desire to be creative and make interesting film entertainment content then you probably do not have what it takes to compete with filmmakers today and should probably do something else. As with most business, the cream rises to the top and it is usually the ones who fight for it that end up getting what they want and achieving their goals. As a writer and a filmmaker myself, I understand that desire. Most people who know me would call me ambitious. But there is a downside to the desire to be a filmmaker and it may not be what you assume. Newer filmmakers today have a tendency to spell things out for the audience or hold things back. It really does not matter what types of genre you look at, they generally do one or the other. Spelling things out is bad because it makes the audience think that the film makers did not think they were smart enough to understand what was going on without every detail told to them.

Holding too much back can also be bad because it will make the audience think there should have been more to the story and the filmmaker just is not very good at telling a story. Neither could be entirely accurate, however in the world of film entertainment perception is reality. What people think you are doing is what people will assume you are doing and that can be bad if what you are doing makes the audience feel one of those two things. The Arctic Circle in a lot of ways suffers from both of these things at various points in the film, partly because it does one and then the other.

At the beginning of this film there is a clear attempt to explain the story as it goes along despite it being a film without dialogue. As a result when the film stops doing that later in the short it becomes somewhat disconcerting and you are left wondering why it did not continue. Still, one of the benefits of doing a film that is entirely silent, animated or not, is that most of the action and story happens visually. Even though it switches gears halfway through it still manages to tell a very simple and honest story about the reality of the world.

It is still worth watching. Check it out below or at Film Annex.


Monday, 11 March 2013

Earth Review

Aliens are a popular topic to use for filmmakers today. This can sometimes happen in tough economic times, much like the attempt at a lot of post-apocalyptic films in those same times. When you bring the two together you get a lot of interesting content. But there is another type of alien film that happens from time to time among the various types of film genre out there. And it is most often done through films aimed at children. When done right, this type of film can bring in lots of money from not only the kids but from their parents as well.

Short film makers of today much like those making a feature film, try to replicate that sense of amazement in a much shorter time and it does not always work. It is extremely difficult to pull off a film like this, I am well aware of that. Any type of animation is extremely difficult, particularly with so much film entertainment out there these days, but I think it is because of how much is out there that filmmakers do not have much of an excuse to do it badly.

If you are going to make an attempt at filmmaking, you have to do it right or do not do it at all. Earth is a film that tries to do it right but I do not think hits the mark. Claymation animation is very difficult but with so much out there why would you not put a little more work into it to stand out from the pack, or at least show that you are up to the standards of animation that exist? According to the filmmakers description they were trying to put forward a sense of adventure in the simplest of things in the world. I don’t know that they necessarily achieved that.

The fact that there was an alien there who could do so much and had so many powers kind of took me away from the simplicity of the objects and made me think of the animation that went into it. The best type of films which attempt to push the greatness of every day things often have the aliens be a reflection of us. Alien yes, but generally not powerful beyond belief. There are exceptions to this obviously but by and large this is the reality. Which I do not think was properly achieved.

Feel free to disagree with me by checking it out below or find more on Film Annex.


For a Gold Nugget More Review

Sometimes simplicity is the best thing for making movies today. There is so much going on in so many films across all types of film genre, whether it is CGI or cool camera angles or any number of different story twists and turns. So much so that people forget the power of simplicity in storytelling. It is something of a lost art when it comes to film entertainment today. The power of a simple look between characters or anticipation of what is coming can do more for people’s enjoyment then anything out there.

Which is not to say that the CGI and cool camera angles don’t do a lot for people after all they would not have been created and they wouldn’t still be used if people weren’t interested in watching movies like that. They can be some of the most entertaining films out there. But with all the flash and bang, filmmakers today have to rediscover the art of subtlety and ambiance. Otherwise we lose the substance of the story and turns people off.

For a Gold Nugget More is a film made by a filmmaker that understands this simplicity principle. Remi Parisse & Antoine Kinget have taken to heart these ideas and produced a simple short animated film that plays off people’s basic ideas and needs. A gold farmer digging for a piece of gold and a brutish simpleton conspires to take it from him. Most people above a certain age understand the concept of money and the desire for it, and there is no shortage of people looking for the opportunity to take it in the easiest way possible.

In the way of both of them is a simple sheep that acts more like the dog Gromit then an actual sheep. But again, we have the filmmakers playing off a basic element of human nature. The need for companionship and the cute nature of animals, you don’t get more simple then that. And yet the film has an element of sophistication with it in the way it presents the animated film. These are the kind of people that should do well in the industry over the long term.

Check it out below and you can see more at Film Annex.



Friday, 8 March 2013

Biotech 8 Review



Comedy is all about trying to figure out how far you can go in my opinion. When people go to see a stand-up comic, what the audience is often looking for is someone with a great sense of timing and a feel for the crowd. They may not say it specifically, but when a comic knows how to handle the people they are talking to then modifying what they are doing to fit. A few extra words or a change in the type of words being said can mean the difference between a laugh from the crowd and dead silence.

In a lot of ways, making movies today is the same way. How you say or do something in a film is a key component of film entertainment. The wrong word or phrase from an actor, whether it is scripted or not, can completely change the way a scene is thought of from the audience perspective. This is something that you have to be aware of when making something artistic, no matter what type of film genre you are working in. An upbeat moment in a horror movie only works if you do it in the right way.

Biotech 8 has in a lot of ways failed in this respect. There is a political undertone which over powers the comedy aspect a little too much. It begins as a traditional send up of a commercial. It makes fun of the corporate structure and the way people perceive some workers, but the genetically modified aspect goes a little too far. There could be other ways to deal with that subject without going the genetically modified way.

But more than that it turns into something akin to a horror movie at around the halfway mark and then tries to dig itself out of that at the end but never manages to get there. The tone is somewhat inconsistent. The politics of the film do not mesh with the attempt at comedy, which is not to say that it is not funny. It does have some moments that someone like me who is big on politics would find funny but they don`t really translate beyond that in my opinion.

It falls flat. It is trying too hard to be a comedy to really deal with the politics of the situation of either genetically modified foods or corporate views. And it is too political and takes too much of a dark turn to be really funny.

I think the filmmaker should focus on one or the other and there is a good chance that they will succeed at one or the other, or both.

Check out more at Film Annex.


Friday, 1 March 2013

TiM Review


Tim Burton has a particular type of style. When he first came onto the film scene and people noticed him, it was definitely something we hadn’t really seen before. He brought us dark tales of stories we had previously thought we understood so well. Some might say it even changed the way we are making movies today. He might have even created his own film genre. Most would agree that he was a power house in the film and entertainment industry once upon a time, a title that might not really apply to him today.

The fact that he was so prolific made him saturated and sought after. As a result, people aren’t as interested in what he does anymore. But needless to say his saturation inspired a whole group of young people to go into filmmaking. His work in animation in particular managed to get people to take the art form seriously in a way that hadn’t been.

One such person appears to be the writer of TiM. A cute little film very clearly inspired by the great Tim Burton. A black and white stop motion animation piece with an obvious understanding of what made the Burbank native great. The voice over poetry being used is both smart and simple enough to get to both an adult audience and a younger or child focused audience.

The short is simple in its story about a young boy who just doesn’t fit in with other people. Any child watching this would either understand exactly what Tim is going through or learn to treat their classmates better. But they do a great job making it great for older filmmakers as well. The rhyming of the poetry as a voice over is fun and not repetitive the way some poetry can be.

Overall it is a great little film that anyone who is looking for a good animator should get involved with. I say see it.

You can also find more at Film Annex.

Monday, 11 February 2013

DiD Review


Mental illness is a very real problem in society today. Diagnosis of the problems people have is on the rise, although many question the validity of some of the more recent claims psychologists make about the human condition. One of the biggest controversies is over DiD (Dissociative Identity Disorder) or Multiple Personality Disorder. While there are some documented cases, the vast majority have been found to be false claims. Something that criminals sometimes use to try and get out of responsibility for the crimes they commit. If they were not in control, they can not be held responsible.

Which is why it is so controversial. It is extremely hard to prove as existing and only happens in rare cases. And that makes it an interesting case for filmmakers to use. Interesting but like the disorder itself, hard to truly pull off. More often then not filmmakers use a green screen to make it work. The ability to use green screen and use a single person for multiple personalities is an effective technique when the story calls for a split in a character's moral code. You just have to give the audience something to distinguish between the two sides of the character's conflict.

More recently there have been a number of shows which try to use that technique to talk about DiD and it can be very effective when used properly. Unfortunately, I don't think that DiD really uses it properly. The motivations of the differing personalities is somewhat unclear. One is angry at their mother, one does not speak and the other is trying to honor their mother's memory. But the question is why?

That is never full explored in this film. Something happened to them, that much is obvious and they are conflicted about how to deal with it. But why? The fact that they are able to use green screen towards the end of this film suggests that they had the ability to do something more difficult and knew enough to make it work but they did not.

More dialogue between the differing personalities would have make it work much better in my opinion. The description explains more about what is happening in the film then the film itself. If you came to it completely blind without the description you would be very much confused as to what is going on.

Even still, it is a very ambitious film, both from a film and script perspective. I just think with a little more work it would have been even better.

Agree? Disagree? Find out below:

You can also find more like this at Film Annex.


Grosse Pläne Review


Animation is a hard thing to get right. It requires a lot of work and effort on the part of anyone who undertakes it. Stop motion animation is particularly difficult but one of the newest ways to get people talking about you if you manage to pull it off. But you can not simply make it about anything you want. Stop motion has a particular style that lends itself to a particular type of content.

Which is not to say that you can not use it for anything, only that it is a bad idea. People see stop motion animation they tend to think of Wallace and Gromit. A family show aimed at a young audience. They think Chicken Run, again aimed at a young audience but made for families. These are the kind of things that are in people's minds. Going against that takes a great risk.

So when you do a stop motion animated short like Grosse Pläne, you have to know what you are doing. Thankfully, Irmgard Walthert appears to know this. The film is based on a childhood memory of theirs and a very cute one at that. It is a simple idea with simple intentions and that's the way it should be. Reaching an audience of younger viewers needs simplicity.

But simplicity does not mean that it is not smart, animated films like Monsters Inc and Shrek prove that. And I think this is where Grosse Pläne fails. It has many good elements and has insight into something smarter and more complicated but does not fully develop them.

Of course, 4 minutes is not a lot of time to develop an idea but that is where script becomes so important. Knowing the point you are trying to make from the get go informs the way the script develops. Even in a film with no dialogue, script is key. I am not certain that enough script development is what they have done.

It comes off more like a scene from a memory. Which it is, but that is not really a film. At least in my opinion.

Agree? Disagree? Find out below:

You can also find more at Film Annex.

Kyle Review


Relationships are never easy to figure out. There is almost no one you can talk to who can give you perfect advice on the subject. They are confusing. Partly because you have trouble really understanding the other person. Mainly because they are not you. Nowhere is this more difficult to figure out than in school.

Not only do you have the task of learning all sorts of information and figuring out what you want to do with the rest of your life, but you have the added stress of trying to figure out people. School is a proving ground for more than just test scores and knowledge. It is a proving ground for life.

Which is why it is so difficult. It is why there are so many films about the school, and particularly the high school experience. Juggling the two can be hell. Doing it on film can be even harder to figure out. You have to find a way to compress a story of what is most often a romance into an incredibly short period of time. Anyone who has attempted it knows it is a lot harder than it seems.

So I applaud Amy Hill for making the attempt. Although I am not entirely sure that she pulled it off. She appears to have fallen into a trap that many have in their attempts. I have fallen pray to it myself. The idea of having a particular scene in mind and writing to that. In this case it is a scene of two young school chums walking home together.

What the film lacks is a progression of character and dialogue. From the get go it is unclear as to what each character is doing and why they are there. The implication at one point is that they had made plans to walk home together or that the young girl has agreed to be walked home. This has not really been set up properly and thus we run into problems.

There are certain elements to the characters which are interesting. Their family lives and what they plan on doing when they grow up, but it feels like this has not entirely been thought out and the characters are designed to find reasons to talk rather than to actually attract the audience and keep them engaged for the full 12 minutes.

Still, the concept is pretty cute and worth looking at. I look forward to seeing what else the filmmaking has out there. To see what I am talking about, check it out below:


You can also check out more content at Film Annex.

Pinhead Review


Corporate culture is a strange thing to deal with. Anyone who has had any kind of job in an office environment stressful or not. People are prone to doing strange things in retaliation. Like steal office supplies, slack off or take longer lunches to avoid working in what can sometimes be a mundane activity. At the very least it can be a repetitive activity which over a long enough period of time can push a person past their limits. Never is there more tension then between an employee and their boss.

Reaching the limits of tension is part of the premise of Pinhead. An assistant working late at night for his boss tries to let off some steam, much to the chagrin of his boss who wants him to stay focused. To keep him that way, the boss has gone to extremes. The type of extremes that involve black magic and voodoo. Unorthodox, yes, but clearly effective.

I am not one to generally watch silent films, I generally prefer the kinds of films which attack as many senses as possible and that usually requires dialogue. On occasion though, you get one that manages to grab my attention. Pinhead is one such film. The animated film has enough energy and cool visuals to keep me interested and the characters evolve in such a cool way that it is worth seeing what will end up happening to them.

Who will win? Who will lose? Check out the film below and find out.

You can also check out more content like this at Film Annex.