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Showing posts with label filmmaking today. Show all posts
Showing posts with label filmmaking today. Show all posts

Monday, 8 April 2013

The Garden of Fetish Review


Art is a strange subject these days. People have this idea of the art world and what it should be. However no one seems to have the same idea of what that is. The concept of art, as most people will tell you can be a very subjective thing. What is good for some people is bad art to another. Many people take that to mean that whatever you create with the intention of making art is by extension, itself art. There is a lot of validity in making such an argument. Some of the best art out there today was at one time seen to be strange and disturbing is praised in today’s art scene as classic.

But filmmaking is a different animal, art for the sake of making art, which is an idea held by many filmmakers today, is not necessarily the best approach because not everyone gets art for the sake of art. Many people are put off by it at first and that can be a troubling thing. You can’t wait for an audience to take the time to grow with you and appreciate your art over time in the way that a painting can be seen multiple times and appreciated more over time.

Film is an instant gratification medium in a lot of ways. You have to grab your audience emotionally in the first few minutes or you will lose them for the rest. In short films this is an even shorter period and on the web where most film is going you have seconds because of the volume of content that is out there. So art for the sake of art has trouble attracting an audience if not giving something for the audience to latch onto immediately. The Garden of Fetish attempts to be a commentary on this type of art.

Much like a lot of film entertainment today, it attempts to buck the trend of online film and storytelling by being art for the sake of art. There are definitely a lot of symbolic elements to the story that is attempting to be woven into the film that plays to that but I worry that this type of film does not give an audience what they are looking for emotionally to keep them entertained long term in today’s online entertainment driven culture. It’s a nice little film about the state of the art world today, but I am not entirely sure the filmmaker understands the art world today to speak about it that way.

Still, it is an interesting film and you should check it out if you have a chance. You can also check out more on Film Annex.


Thursday, 4 April 2013

Attack of the Giant Vegetable Monsters Review


The thing about the horror films of today is that it preys upon certain basic ideas we have about humanity. When you watch a horror film, particularly a scary horror film (because there are some that are not), you have to remember that what you are seeing is a reflection of us, the kinds of fears that we live with today on a daily basis. However, classic horror films tend to be about something else. They tend to be a reflection of a fear that we used to have once upon a time. A time long since passed even though there are many who lived in that time. Making movies today of those types of genre requires an understanding of that concept and the ability to carry it out. A parody can sometimes go either way. The idea can be to reflect a current fear and do it in classic horror film style to evoke the nostalgia for that era, or it can be an attempt to do the opposite and use current horror film style with a classic fear to make fun of it. Either can be pretty effective if done well.

In the case of Attack of the Giant Vegetable Monsters, I am not entirely sure which they were going for. I am not even entirely sure what it is that the fear is trying to evoke. But in classic parody format they clearly understand the film genre they are making fun of. They understand the monster movie and they understand the kind of film genre that exists out there, and often times in a parody that can be more important than anything else. Because of that, I really liked the film in question. I thought it was one of the more entertaining movies that I have seen on the site and it had some great elements.

The animation was very simple but that goes with the setting and the era they are trying to invoke. Plus the little twist at the end, which I can say I was not really expecting definitely had me liking it even more. I say check it out below or find more on Film Annex.


Monday, 25 March 2013

The Arctic Circle Review


Desire is a fundamental part of any filmmakers’ journey. Many would say that if you do not have a burning desire to be creative and make interesting film entertainment content then you probably do not have what it takes to compete with filmmakers today and should probably do something else. As with most business, the cream rises to the top and it is usually the ones who fight for it that end up getting what they want and achieving their goals. As a writer and a filmmaker myself, I understand that desire. Most people who know me would call me ambitious. But there is a downside to the desire to be a filmmaker and it may not be what you assume. Newer filmmakers today have a tendency to spell things out for the audience or hold things back. It really does not matter what types of genre you look at, they generally do one or the other. Spelling things out is bad because it makes the audience think that the film makers did not think they were smart enough to understand what was going on without every detail told to them.

Holding too much back can also be bad because it will make the audience think there should have been more to the story and the filmmaker just is not very good at telling a story. Neither could be entirely accurate, however in the world of film entertainment perception is reality. What people think you are doing is what people will assume you are doing and that can be bad if what you are doing makes the audience feel one of those two things. The Arctic Circle in a lot of ways suffers from both of these things at various points in the film, partly because it does one and then the other.

At the beginning of this film there is a clear attempt to explain the story as it goes along despite it being a film without dialogue. As a result when the film stops doing that later in the short it becomes somewhat disconcerting and you are left wondering why it did not continue. Still, one of the benefits of doing a film that is entirely silent, animated or not, is that most of the action and story happens visually. Even though it switches gears halfway through it still manages to tell a very simple and honest story about the reality of the world.

It is still worth watching. Check it out below or at Film Annex.


Monday, 11 March 2013

For a Gold Nugget More Review

Sometimes simplicity is the best thing for making movies today. There is so much going on in so many films across all types of film genre, whether it is CGI or cool camera angles or any number of different story twists and turns. So much so that people forget the power of simplicity in storytelling. It is something of a lost art when it comes to film entertainment today. The power of a simple look between characters or anticipation of what is coming can do more for people’s enjoyment then anything out there.

Which is not to say that the CGI and cool camera angles don’t do a lot for people after all they would not have been created and they wouldn’t still be used if people weren’t interested in watching movies like that. They can be some of the most entertaining films out there. But with all the flash and bang, filmmakers today have to rediscover the art of subtlety and ambiance. Otherwise we lose the substance of the story and turns people off.

For a Gold Nugget More is a film made by a filmmaker that understands this simplicity principle. Remi Parisse & Antoine Kinget have taken to heart these ideas and produced a simple short animated film that plays off people’s basic ideas and needs. A gold farmer digging for a piece of gold and a brutish simpleton conspires to take it from him. Most people above a certain age understand the concept of money and the desire for it, and there is no shortage of people looking for the opportunity to take it in the easiest way possible.

In the way of both of them is a simple sheep that acts more like the dog Gromit then an actual sheep. But again, we have the filmmakers playing off a basic element of human nature. The need for companionship and the cute nature of animals, you don’t get more simple then that. And yet the film has an element of sophistication with it in the way it presents the animated film. These are the kind of people that should do well in the industry over the long term.

Check it out below and you can see more at Film Annex.