Biotech 8 Review

Comedy is all about trying to figure out how far you can go in my opinion. When people go to see a stand-up comic, what the audience is often looking for is someone with a great sense of timing and a feel for the crowd. They may not say it specifically, but when a comic knows how to handle the people they are talking to then modifying what they are doing to fit. A few extra words or a change in the type of words being said can mean the difference between a laugh from the crowd and dead silence.

In a lot of ways, making movies today is the same way. How you say or do something in a film is a key component of film entertainment. The wrong word or phrase from an actor, whether it is scripted or not, can completely change the way a scene is thought of from the audience perspective. This is something that you have to be aware of when making something artistic, no matter what type of film genre you are working in. An upbeat moment in a horror movie only works if you do it in the right way.

Biotech 8 has in a lot of ways failed in this respect. There is a political undertone which over powers the comedy aspect a little too much. It begins as a traditional send up of a commercial. It makes fun of the corporate structure and the way people perceive some workers, but the genetically modified aspect goes a little too far. There could be other ways to deal with that subject without going the genetically modified way.

But more than that it turns into something akin to a horror movie at around the halfway mark and then tries to dig itself out of that at the end but never manages to get there. The tone is somewhat inconsistent. The politics of the film do not mesh with the attempt at comedy, which is not to say that it is not funny. It does have some moments that someone like me who is big on politics would find funny but they don`t really translate beyond that in my opinion.

It falls flat. It is trying too hard to be a comedy to really deal with the politics of the situation of either genetically modified foods or corporate views. And it is too political and takes too much of a dark turn to be really funny.

I think the filmmaker should focus on one or the other and there is a good chance that they will succeed at one or the other, or both.

Check out more at Film Annex.

TiM Review

Tim Burton has a particular type of style. When he first came onto the film scene and people noticed him, it was definitely something we hadn’t really seen before. He brought us dark tales of stories we had previously thought we understood so well. Some might say it even changed the way we are making movies today. He might have even created his own film genre. Most would agree that he was a power house in the film and entertainment industry once upon a time, a title that might not really apply to him today.

The fact that he was so prolific made him saturated and sought after. As a result, people aren’t as interested in what he does anymore. But needless to say his saturation inspired a whole group of young people to go into filmmaking. His work in animation in particular managed to get people to take the art form seriously in a way that hadn’t been.

One such person appears to be the writer of TiM. A cute little film very clearly inspired by the great Tim Burton. A black and white stop motion animation piece with an obvious understanding of what made the Burbank native great. The voice over poetry being used is both smart and simple enough to get to both an adult audience and a younger or child focused audience.

The short is simple in its story about a young boy who just doesn’t fit in with other people. Any child watching this would either understand exactly what Tim is going through or learn to treat their classmates better. But they do a great job making it great for older filmmakers as well. The rhyming of the poetry as a voice over is fun and not repetitive the way some poetry can be.

Overall it is a great little film that anyone who is looking for a good animator should get involved with. I say see it.

You can also find more at Film Annex.

Can the Canadian Film Industry go commercial?

No matter how you look at it, the visual art of film is a business. Whether you call it show business, the film industry or anything else one of the biggest pieces of making it work is understanding the money behind it. Where it comes from, how to get it, how to spend it and most importantly who has it. Some people don't think of it as business. They think of it as support for art or creativity. But if you really look at the way it works, I'm not sure anyone could really call it anything other than business. You spend a lot of time looking and acting like a business person and working like an entrepeneur, even when you make it to Hollywood studio level there's a certain amount of schmoozing and business. So what part of that is art exactly?

Don't get me wrong, the film industry is incredibly artistic, even in Hollywood (you can read my thoughts on that here and here). With all the creativity and thought that goes into just producing something worth selling there has to be art involved. Otherwise it wouldn't be interesting or beautiful or funny or whatever it is that the art is supposed to be. But people don't always pay money for something that's beautiful or funny or interesting. Often times the best, most beautiful things in the world are the things you don't pay money for. At least not in any direct sense. But an industry that's built upon the idea of getting people to sit down in a dark room and watch something has to be built on the incentive to do so. That incentive is usually that it's worth paying money for.

So why is it that the Canadian film industry is so concerned with the art of it all? Trying to be the opposite of Hollywood's big business model by focusing on our culture and identity that we insist is so different from our neighbors to the south. Yet despite that we live with the contradiction that we can't compete with Hollywood and the big business model. We all want the money and the fame that comes with a big Hollywood business model but have a problem with doing what we need to in order to make that happen.

Last night, I went to see Cinecoup present a pitch to the Canadian film industry in Toronto about how to change all that. Putting forward a business plan that in a sense sounds like a Hollywood idea but has its own unique Canadian twist to it. And it's a great idea. Canada needs to think more like Hollywood in its approach to film and this will definitely move the yard stick forward to thinking in those terms. The problem I see is that I don't think it will move the yard stick far enough forward to really make a difference. For many in the Canadian film industry it will be a shock to their system. It's a plan designed to get people to think about the bigger picture. To think about where your film will ultimately end up before you even put a pen to paper, metaphorically speaking, and to care about whether it might actually make money.

I love the idea, I want to be involved, and I may even apply with my own project if I can put it together. But I worry that there won't be a round two for the business model. Canadians for all their talk about a difference in culture and the pride of their heritage have a much bigger culture with a lot more pride in their culture beaming content into their laps at an alarming speed. The kind of culture and pride that at least on the surface appears to appeal universally enjoyed.

Can the Canadian Film Industry go commercial? I think it can, and recent changes suggests that it is moving in that direction. But I don't know that the speed of the industry is fast enough to really warrant this kind of program.

What's next for my blog?

So I started my blog about a year back now and I have done my best to have consistent content. Now it appears that I will be adding more content to the mix for the near future. I've been hired as an intern at Syndicado, which you can learn more about here, for my reviews and I am going to be uploading those reviews to my blog for them on a regular basis. I still plan on reviewing my own content from time to time and voicing my opinion on the film industry and other things whenever possible. The only major difference now is that I will have more content and links to where you can see it for yourself if you're interested.

My normal schedule for this has been to have content available every Wednesday, and that will remain the same for the time being, although I have been considering moving it to Friday and adding something else for Mondays recently. If there is a change, I will definitely be letting you all know. But for now, my blog will be on the same schedule with regular injections of content from Syndicado. Where things will seem to change is in the way I title my blogs. I am going to continue to title and close each review with a question for my own content, but the Syndicado reviews will be a little bit more straight forward.

I'm really looking forward to putting out this content for you guys to see and hearing your opinions.

What's next for my blog? At the moment, a lot of good things.