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Showing posts with label trilogies. Show all posts
Showing posts with label trilogies. Show all posts

Wednesday, 28 November 2012

Kick-Ass Review: How Kick-Ass can the sequel be?


Sequels can be pretty difficult to pull off. Take a look at films like Back to the Future, The Matrix or Ginger Snaps and you can see that things don’t always work out. Back to the Future 2 was great, The Matrix Reloaded had its issues, and Gingers Snaps 2: Unleashed did well but was handcuffed by a lot of the things that happened in the original film. Superhero sequels can be even worse. Sometimes the original was great and the sequel just can’t measure up. Other times they surpass the original and that makes it difficult for the third film in what ultimately becomes a trilogy.
All you have to do is look at The Dark Knight, Superman 2 or Iron Man 2 for evidence of how things end up. The Dark Knight and Superman 2 were at least better than the original, whereas Iron Man 2 just didn't have what it takes. Of course, part of the reason why Iron Man 2 wasn't what it should be is because it was the backdrop to start setting up The Avengers, and if you read my review you know how I felt about that film. Then you have a film like Kick-Ass, and with the sequel shooting here in Toronto right now, I thought I would take a look back at the original to see where they could go. Kick-Ass was a good film. In an age where superhero films are coming out of the wordwork, Kick-Ass is a commentary on the superhero genre. As a big fan of the superhero genre, I think it was a necessary commentary as well.

To quote a previous blog about the importance of the superhero genre and what they stand for, superheroes are designed to be updated and reinvented for the times they live in. Most of them are not the same as they were when they were created and there are examples of various updates along the way. Superhero films are much the same. They need to examine the world we live in and speak to that. Kick-Ass is the definition of such a film. If you go looking for them, you can find instances where people dressed as superheroes are going around doing work like a realistic superhero would. I can't imagine they do much in the way of actual crime fighting, but they exist. And that is at the heart of a film like Kick-Ass. An every day guy tries to actually make it as a superhero. Unlike the real world versions that are out there, Kick-Ass does in fact do some real crime fighting. There's even a super-villain for them to face but he's a realistic super-villan for today's world.

They use a lot of the traditional building blocks of the genre to tell a new type of story with a very modern angle. It works perfectly for what they are doing because the people involved understand the superhero genre. Mark Millar after all has written for various comic books in the superhero genre and he has been very well received in everything he has done by the fans. So it's no wonder why he is doing so well with his own property. But where does that leave him to go? Can he succeed where many have failed in the past? In interviews he often talks about how he prefers not to do ongoing stories because he gets bored very quickly with them but with this he can see himself doing multiple stories. The sequel then, must be the continuation of that feeling.

Based on the details which have come out regarding Kick-Ass 2, I think he has a lot of room to grow and he might just pull off the second one as well. But that leaves a potential third film becoming ever more perilous. Will he burn out on the second installment and have nowhere to go with the third? Or is he thinking big and held something back for a trilogy? Let's hope he is because I want to see this go well for him and for the actors involved.

How Kick-Ass can the sequel be? It could be really great, but it could also fall flat much like a certain winged avenger from the first film.

Wednesday, 25 July 2012

The Dark Knight Rises Review: Did The Dark Knight Rise? - That Blog Thing - Movie Reviews, Film Reviews, Film Entertainment, Entertainment, The Dark Knight, The Dark Knight Rises, Superheroes, Comic Books, Film, TV Reviews, Television, TV, Television Reviews


“The best way to end a story is to go right back to the beginning, and learn something new about everything you’ve been through for the first time.”

One of my favorite writers said this, and I have never forgotten it. Some of the greatest stories ever told have followed this path and they are revered for it. I’m thinking of films like “Return of the Jedi”, or “Back to the Future: Part 3”, each of them added a new dimension to the characters by literally or figuratively going deeper into the past of each of the characters, showing what made them who they really are in what proved to be their finest hour. Much like those that came before, in the final chapter of Christopher Nolan’s Dark Knight Saga, “The Dark Knight Rises” brings another dimension to the characters that make them better and more interesting. In that way, the film is fantastic.

Dealing with the past is a recurring theme in the film. One character is trying to return to it, another is trying to escape it, while another is intent on avenging it. But much like many of the characters in it, the film seems somewhat stuck within it. Several characters who we are only meeting for the first time in this film have detailed and important back stories that, while well handled and well told within the film itself, deserved better treatment. One of the major assets of the previous films was its ability to foreshadow in a thoughtful way, the Joker card at the end of the first film, a reference to “protecting against cats” in the second, and yes some references from the first two films do pay off in the third quite well. But where before they seem somewhat like they were contained within what fans refer to as the “Nolanverse”, in the final chapter they seem more like pandering to the fans than anything else.

Christopher Nolan likes to play it close to the chest when it comes to the stories he likes to tell. Reports are that actors initially couldn’t take copies of The Dark Knight Rises scripts home. They had to read it in a locked room and leave the script when they finished. As a writer, I totally understand why someone would want to do that. But given that, and the fact that repeated interviews during this saga’s creation have him denying his intentions to do certain things, retrospectively, as great as everything was done, it feels like he insisted on such secrecy just so fans can go “oooh” and praise his name for giving them what they want. That seems somewhat self indulgent to me.

Don’t get me wrong, as a big Batman fan this entire trilogy was the Batman I had always wanted to see, the dark and gritty hero that the modern day version has been since the 1980s. The characters are written and portrayed as if they leapt straight off the pages of the comic books they were born from. I feel extremely vindicated as a comic book fan to know that Christopher Nolan treated these characters with the respect they have deserved for years. But ultimately, I think that The Dark Knight Rises is the “Revenge of the Sith” of Batman movies. Where what was established in the two previous films became a checklist of things to do in the third. There even seems to be a line in the film that all but points that out.

The film has certainly beaten the “third film in a trilogy” curse that seems to be a staple of trilogies in the past several years. It managed to stay visually and tonally consistent to what came before it and the recurring characters are emotionally consistent with the other films, but ultimately I think it threw a curveball where I think a fastball would have worked better.

Did the dark knight rise? Yes, but I think it could’ve risen higher.