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Showing posts with label sci-fi. Show all posts
Showing posts with label sci-fi. Show all posts

Wednesday, 7 November 2012

Moon Review: There are many sides to the Moon, which side are you on?


I love actors, no really I do. They have this quality about them that I like. Some might call it an intangible quality, but it’s very easily explainable. As a writer, it’s my job to create a character’s motivations. To know them inside and out so that I know how they would react in just about every possible situation imaginable. An actor has to find a way to understand those motivations and bring out the emotions they cause. The way I see it, writers and actors go hand in hand. When I see an actor take on a difficult role, it gets very exciting.
This was the case with Ryan Gosling in Lars and the Real Girl, Ryan Reynolds in Buried, and most recently Sam Rockwell in Moon. Another film in my long list of movies that I always meant to see but never got around to until now and again things are interesting. Where Moon is different from the previously mentioned films is that it used a visual effect to tell a major part of the story. Mainly that Sam Rockwell played several (two specifically) distinct versions of his character to play off of. This technique is one that is used often these days when dealing with characters who are twins or multiple characters.
The first time I remember this occurring is in The Nutty Professor with Eddie Murphy playing his character’s entire family with various prosthetics, but since then it has been used in movies like The Matrix, The Social Network, as well as TV shows like Buffy the Vampire Slayer, Smallville and the recently cancelled Ringer. This can be a really effective technique if used in the right way. It can also go horribly wrong if not done properly. Unfortunately I have seen both in the multitude of films and television that I watch.  When it comes to Moon, I think that it is used properly. Through most of the film I had my concerns, but as things progressed I was able to understand why they did it.
And that’s true of things not limited to the use of the doubling visual effect when it comes to this movie. The story centers around the character of Sam Bell (played by Sam Rockwell), a man on a three year contract to harvest the moon’s resources for clean energy that can be used on Earth. One of the main things that bugged me about the film is the idea of a single person on a moon base. If you’re going to put a mining camp on the moon why have only one person running it? This, along with most of my questions about the film, gets answered by the end and I am left generally satisfied with the story as a whole.
What really hits home for me more than anything though is the performance of Rockwell. He manages to make two versions of himself very much distinct in their mannerisms and approaches to the situations they face that you might almost believe they were entirely different people despite their obvious similarities. The only other character to play off is the full on robotic helper droid GERTY, played through voice work by the great Kevin Spacey. And even there Mr. Spacey is able to bring a certain amount of nuance to an inanimate object that has you questioning the robot’s motives much in the way that you did in 2001: A Space Odyssey.
This movie is a perfect example of how acting can make or break a film. And in the case of Moon, I definitely think it makes the film.
There are many sides to the Moon, which side are you on? I honestly could tell you because they all make such a great case.


Wednesday, 31 October 2012

Another Earth Review: If you had the chance, would you go to Another Earth?


We all have questions about things. About our past, our future and how the things we do affect our lives and the people around us. But most of all we wonder if we had made different choices would our lives be different? Could we live in a world in which we could do that? These types of ideas are so often considered by time travel stories. After all, it is the perfect medium to explore such an idea as that kind of ability remains beyond our reach. Dramas too have it in them to talk about the consequences of actions and how we deal with the world. To combine the sci-fi and the drama then can often be one of the best ways of telling a story.

Another Earth is one such story. It’s one of those smaller, independent films that got a bit of traction but never managed to materialize as a strong contender in its theatrical release. I think it’s because of the sci-fi element that it had more trouble then it probably should have. Despite the emergence of fan culture in recent years and a vested interest in sci-fi fantasy as a more respected form of entertainment, largely thanks to recent portrayals of superheroes in big blockbuster films coming out of Hollywood studios, sci-fi fantasy is still generally looked down upon in the filmmaking community. Unless it comes out of Hollywood, or sometimes despite that fact, it’s seen as popular with a specific group of people but not respectable with a larger audience.

What’s interesting about Another Earth is that it in some ways attempts not to be a sci-fi film despite the basic premise of it. The story follows a young girl who makes an unfortunate mistake in her youth and struggles to come to terms with how she can live with herself afterwards. That in and of itself is a story worth its weight in gold if told properly in the independent film community. However where it most likely loses a lot of people is the fact that it’s set against the backdrop of a world where another earth has been discovered in space near our own. Even though the concept of the film isn’t hindered in any way by the idea of another earth and in many ways is not central to the story, I think it keeps people from considering a really great film.

Yes, the film did fairly well at the box office for what it did. With a budget of $200,000 the film made $1 million plus, but when I talk to non-filmmakers about it they haven’t really heard of it, and in some cases even filmmakers have no idea what I am talking about. I even failed to see it in theatres even though I heard about it months ahead of time and had planned on it since the beginning. And that’s a real shame, because having finally found a copy of it on Blu-ray, I can say that it was well worth the money I paid for it.

The story is simply told and the characters are pretty solid despite the fact that you don’t really get to know much about them. What sells it is the fact that the two main characters are very much focused on a single event, an event which we witness in the film so we understand exactly where each of them is coming from and why they do the things they do.

I actually had an idea that was somewhat similar to this in that it was a sci-fi fantasy story which centered around a single event or idea but I wasn’t certain it would work. After watching this film, I can honestly say my opinion has changed and I am going to have to take a crack at it.

If you had the chance, would you go to Another Earth? I think I’ll leave the bigger question up to you, but maybe this film will help you make up your mind.


Saturday, 8 September 2012

Being Erica Review: What is the importance of Being Erica?


Really good Canadian television is a bit of a rare breed. Truthfully, even though I was born in raised in Canada, most of the TV that I watched in my childhood was American made. Up until a few years ago, I can honestly say that I can’t name a single Canadian drama or comedy that I watched and it never really bothered me all that much. Then came the writer’s strike of 2007 and Canadian TV started getting picked up by American networks to fill the content gap left by those fighting for the rights of content creators everywhere in the American industry. Suddenly, I found a reason to watch Canadian television and I’m very glad that I did.

Because then came Being Erica. A show about a down and out woman whose life just hasn’t turned out the way she planned it. A woman who can’t help but think that if only she’d made different choices in her past, her life would’ve ended up being so much better then it ended up being. And of course, who hasn’t felt that once or twice in their life? Who hasn’t taken a look back at their life so far and said “If only I could go back and do this differently, my life would’ve been so much better.” But is that in fact true? If you could go back and change it, would it actually be better or just different? Are you sure you wouldn’t make it worse? Even more importantly, are these moments really the things that have kept you from being happy?

These are the central questions at the heart of the show that is one part comedy, one part drama, one part sci-fi/fantasy, all blended together to tell a story of strength and personal growth, championed by the great and talented Jana Sinyor. While occasionally feeling like an ensemble cast, the show never loses sight of the quirky, smart, funny, and powerful yet feminine Erica Strange (played by the fantastic Erin Karpluk) who is on a journey of self discovery that never lets her take the easy way out.

It’s worth noting that in the middle of the show’s four year run, Erin Karpluk had the opportunity to work on an American TV show, and did, as a supporting character on a show called Life Unexpected but eventually had to leave in order to continue with Being Erica. I don’t think there are many people in the industry who would argue that if you want to make it in the industry today, Hollywood is where it is at. So the fact that she for all intents and purposes left an American TV show for a show in which she starred in being watched by a much smaller audience, means there has to be something pretty special about the show, and I can honestly say that I understand why.

She was once quoted as saying that people who watch the show have come up to her on the street and told her that Being Erica has encouraged them to make changes in their life when they weren’t happy with it before. Given the way in which it has affected me, both as a writer and on a personal level, I have no trouble believing that other people have felt the same way. Whenever life gets me down or I start to worry about much I have yet to accomplish in my life that I want to do, I turn on Being Erica and I remind myself that no matter how bad things might feel, they are never as bad as I think they are. There’s always a way to salvage things and make the most out of a bad situation.

And so, what’s the importance of Being Erica? That’s the importance of Being Erica.