Paper.li

Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Sunday, 11 November 2012

Accordion Tribe Review


What do you think of when I say the word orchestra? I'm guessing that most people think of the instruments like the violin, the flute or the piano. Either that or the music of Beethoven, Bach and the endless array of beautiful classical tunes that are out there for everyone to enjoy. What do you think of when I say the word band? More than likely you think of your favourite band of the moment or all time. Groups like The Beatles, The Rolling Stones or modern bands like The Killers or Maroon 5. I would be willing to bet that most people when they hear either of these words never go directly to the word accordion. It's not generally thought of in either context. When you hear it generally you think of gypsies or a strange guy on the street doing a one man band with a monkey on his shoulder. You don't generally think of them in the sense of a group that tours around Europe playing in music halls and other venues to large audiences.

And yet there's The Accordion Tribe, an unusual group of musicians playing an unusual instrument. Each of these members, whether they are from Eastern Europe or New York or some place in between, have found a common truth in the accordion. They all love to play it and they all believe in the music they are playing. An instrument which is not quite classical but not quite modern. It occupies this weird in between place that no one really talks about but everyone knows exists. Bring five of them together and you have a group that's making beautiful music. You wouldn't think that there would be much range in an instrument which compared to a full orchestra or a computerized synthesizer doesn't seem to have what it takes. But listen to this group play together and you can't help but marvel at the melodies and compositions that come out of the group. From the style and the range of music they can play, their relationships with each other, much like their music, flows along and works in concert with each other to the point where you're never entirely bored.

The film, thankfully, is very much the same way. Each member of the group is given equal time and equal consideration to tell the story they want to tell about where and how they came to play the accordion and the group that is featured within it but you never get too much of either one to feel like it drags on in any serious way. Weaving back and forth between them you get a sense of what it is that drives them and how they make it work with each other. Music is a beautiful thing, and so is this film which at times plays like a song itself. Anyone who wants to see a fresh take on a new instrument, and a fresh look at a documentary about a music group should check this film out.

You can do that through Amazon, Vudu, Fandor, Youtube, and iTunes.




Saturday, 20 October 2012

The Ballad of Hugh Review: Have you heard the Ballad of Hugh?

Music is a huge part of people’s lives. I don’t think I know anyone who couldn’t name some song they love or that inspired them in some way. You just have to look at the popularity of the iPod and other music platforms to see just how important it is to most people. And then there are those people who become so inspired by music that they decide to get into it professionally. Spending hours, days and years at a time learning an instrument of some kind or training their voice to do what most people would kill to be able to do as well as they do. Some even do both.

In some ways I know exactly how that feels. When I was younger I studied piano and found that I had a natural talent for it. Where my siblings would spend every day working and trying to get the practice music right, I would sit down with the instructor and somehow be better than I was last week without really trying. As the years went on and things got tighter though, I found that my passion for music was overshadowed by my passion for writing, a talent that requires its own version of rhythm and flow which I found to be something of a challenge to figure out. I still find it something of a challenge. I couldn’t see myself going through the struggle of booking stage performances and attracting people to come and see me play.

Though I have a lot of respect for those that do put in the time and effort to put themselves front and center the way many musicians do in the music scene. So when I had the opportunity to see a documentary about an 80 year old Toronto area musician named Hugh Oliver who has spent his entire life trying to make it in the industry, the words “impressed” seem somewhat lacking to express things. It’s a tragic reality of any type of creative industry that people spend years of their lives trying to rise to the top of the industry, or at least get themselves noticed. Hugh Oliver has spent more than most and so the idea of a documentary about him seems like a natural fit.

You would think that a documentary about and elderly citizen of our fair country would be a problem to watch. It’s not. He has had quite the journey and this has been set against the backdrop of him finally getting the opportunity to record an album. That along with animated snippets of his narrated poetry and songs which talk about things that are not your typical subjects (his songs about Facebook and Harry Potter are particularly enjoyable) will definitely make you smile.

Ultimately, this film is about perseverance and the desire to succeed. Something that Hugh Oliver has in spades. You wouldn’t know it from the way he talks about himself and other subjects throughout the film but anyone who has even made a passing attempt to succeed, whether in a creative industry or not, will recognize the focus and drive that they have felt in this man. Anyone who has ever had to question their dream of making it in a creative industry will see a reason to keep going. If Hugh can spend a half century of his life chasing a dream, anyone else has no excuse.

Not that this is the message of the film, but I certainly feel that way after having seen it.

Thursday, 13 September 2012

Glee Review: Do you sing with the return of Glee?


There are some shows that are just strange. Shows that are strange in a bad way like The Vampire Diaries, The Secret Circle and Dollhouse, all three of which I watch (or watched and enjoyed for what it was in the case of The Secret Circle and Dollhouse that got cancelled early on). You also have shows that are strange in a really good way. Shows like Dexter, Episodes, and just about every British TV show that tiny island manages to put out. And then there are shows like Glee, shows that not only border on the absurd, but actually embrace it when the story calls for it.

A show like that tends to be very divisive, there are people who hate it and people who love it. But those that love it often do so with incredible passion and devotion. This can be both a good and a bad thing depending on which you are, particularly because there are those who fall somewhere in between. I have experienced this in other fandoms. Incredibly devoted fans can begrudge the less fanatic members for sometimes being critical or less than enthusiastic about the show. As a result these “more moderate” fans can feel less engaged and drop off from a show if it becomes too much for them to handle.

Social media platforms can be the bridge that keeps that from happening, and one of the things that Glee has done really well is embrace social media like Twitter to keep people interested. Most of the cast is on Twitter like Lea Michele, Naya Rivera, Kevin McHale and others, though they seem to be the most prominent members on a consistent basis. The fans appreciate it no matter what your level of devotion, but then I count myself among those who are more moderate in my opinion.

One of the best aspects of the show though is the music, the way in which music is both the focus of the story and the thing that makes it different from others. Before the show came on the scene four years ago, musicals were a rare thing. There were occasional successes like Moulin Rouge and West Side Story, but in general they were something to be ridiculed and looked down upon in the film community, then came Glee. A show that preyed upon the nostalgia of music from the 80s and 90s, making the music cool again for the current generation. It even managed to revive some long dead tunes that were themselves ridiculed and kind of weird.

This too is at the heart of the show. It’s about a group of misfits who are constantly made fun of and fight tooth and nail to get respect from people who don’t want to give it to them. As I was reminded quite well recently, everyone loves an underdog. People love to root for the guy or girl who had it rough but manages to succeed anyway. Succeed despite the detractors and critics, despite the authority figures trying to keep them down and despite everyone who might otherwise have an obvious advantage.

With more number 1 hits then they can count, over 36 million digital single sales and 11 million album sales worldwide, I would say they certainly achieved their goal. Interestingly enough, the show reflects that success in many ways. As the show gears up for season 4, its characters have achieved success and are now wondering what is next, and I am too. But more than that I am curious...

Do you sing with the return of Glee? I have in the past, and I am going to be doing it again this year.