
Paper.li
Showing posts with label 1980s. Show all posts
Showing posts with label 1980s. Show all posts
Wednesday, 19 December 2012
Scrooged Review: Would you like to be Scrooged? - Movies, Movie Reviews, Film, Film Reviews, Film Entertainment, Entertainment, TV, Television, TV Reviews, Television Reviews
Now Bill Murray is something of a gem when it comes to the films that he is in. I don't think anyone would argue with me if I said that in the era of mid-late 80s and early 90s Bill Murray could do no wrong. From Ghostbusters to What About Bob to Groundhog Day these films are hugely popular, thanks in no small part to the performance of Mr. Murray. Whether these films stand the test of time is another question entirely, but for anyone who wants to take a look back at the world they used to live in this is a great film. Scrooged on the other hand has something that his other films don't, it adapts a story which has stood the test of time already and gives it a modern twist, or at least what was modern for the day.
Not since West Side Story's adaptation of Romeo and Juliet have people so embraced a modern version of a story that's been repeated by so many before it and many more afterwards. In part because it's very clear in watching it that the people involved understood the adaptation they were making and the times they were living in. They were smart enough to change key elements, like the names of the characters involved but never lost sight of the idea that the original characters they represented were key to making the story work. And the one major change they did make was played to perfection for the modern telling by the great Bobcat Goldthwait.
Would you like to get Scrooged? I do, and so should you. Every year on Christmas Eve as the story itself goes, and every year I am trying to hold it together through the end as I tear up through the beautiful speech at the end.
Labels:
1980s,
1990s,
A Christmas Carol,
Bill Murray,
Bobcat Goldthwait,
Charles Dickens,
Christmas,
Christmas movies,
DVD,
Films,
Ghostbusters,
Groundhog Day,
Romeo and Juliet,
Scrooged,
West Side Story,
What About Bob?
Wednesday, 5 December 2012
Bon Cop/Bad Cop: What makes a good Canadian movie?
We are getting better at it though, in recent years I have seen a number of Canadian films that are smarter, more relatable and better generally for a wider audience than just Canadians. In some cases we're a little ways off, in other ways we are way off. One of the films that tried to move us in the right direction is Bon Cop/Bad Cop. A film that's set and focused on Canadian culture, but with a distinctly more Hollywood feel. Buddy cop movies have been something of a lost art lately. There are all kinds of cop movies and TV shows out nowadays but buddy cops had their heyday in the 70s and 80s and haven't really recovered.
In some ways Bon Cop/Bad Cop is a throwback to those types of films but with more modern technology and special effects. Where I think that the film has issues is that it relies too heavily on Canadian stereotypes. The ones we have about ourselves like the French/English divide, with some truth to it but a lot of fiction. As well as more international stereotypes like an obsession with hockey and kindness. I have never been a big fan of playing to stereotypes, I prefer commentaries to out and out parody or exploting stereotypes, at least as a general rule. Things like Bob and Doug and Austin Powers are good in small doses but they can go too far if money gets involved.
Bon Cop/Bad Cop keeps things from going too far, but it also doesn't go far enough for a one shot movie like this. Austin Powers worked because it pushed the envelope in the comedy department but had enough held back for an extra couple of rounds. This movie doesn't go far enough for a single one much less several, not that they were planning on more but then not going far enough doesn't really make sense. It has a lot of good elements that make it fun to watch but it ultimately falls short of any serious message except that Canadian filmmakers don't have to act like Canadian filmmakers.
Bon Cop/Bad Cop: What makes a good Canadian movie? I haven't quite figured that out yet but I don't think this movie has it.
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